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Reflection

June 6 - August 8, 2020

vol.2 / June 30 - July 18

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“What seems to move, that is”

In May 2020, the scenery where people disappeared from the city was inorganic and murderous.
The greenery and flowers of the roadside trees that I was used to seeing became even more colorful, and I strongly felt the seasons.
From the flowers that flow without staying in the hands of humans, the speed of the flowering season and the transition of various acts are expressed.

Yukio Ikeda
 

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Sachiho Ikeda

The things look like moving is…

2020

Acrylic on canvas

31.8 x 41.0cm

46.0 x 46.0 inch

JPY 68,000- (+Tax )

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Sachiho Ikeda

Reunion

2020

Acrylic on canvas

27.3 x 22.0cm

10.7 x 8.6 inch

JPY 43,000- (+Tax )

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“Automatic Line”

The series of Automatic Line is drawn by a machine called CNC.
CNC is a machine that has been widely used in industrial fields such as factories for a long time. Familiar things are similar to printers.
Using machines is only the choice of tools, but our lives are made up of such industrial machines. Being in such a lifestyle is one of the reasons for choosing a machine.
The components of the painting are no exception, and most of the cloth, crates, paints and tools are made by machine. That is a fact, and it requires the labor of people that cannot be imagined even if it is mass production. Even if the facts are trivial, but how they were made is very confusing and very confusing.

 

Furuhata Tomoki

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Tomoki Furuhata

Automatic Line No. 0052

2020

Acrylic on cotton cloth

73.0 x 73.0cm

28.7 x 28.7 inch

JPY 140,000- (+Tax )

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Tomoki Furuhata

Automatic Line No. 0030

2019

Acrylic on cotton cloth

46.0 x 46.0cm

18.1 x 18.1 inch

JPY 70,000- (+Tax )

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“Flying rough sketch”

It is a picture that thinks about time.

The clock goes clockwise, but I don't feel that time is going clockwise.
The strata overlap vertically due to the overlap of time. The Himekuri calendar also overlaps vertically, but it gets thinner as the day goes on.
As time passes by reading the manga, the time advances sideways while zigzag for each frame.

When I make a picture of the flash, it looks like a "figure". Is it because I want the viewer to understand this inspiration?

It's not something I thought about, but what I feel about time is that the outside of the window gets brighter and darker, and that the paint is overlaid on the painting. What I draw and create is a clock.

 

Kazunatsu Yoshida

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Waka Yoshida

Flying rough sketch

2020

Acrylic on canvas

60.6 x 50.0cm

23.8 x 19.6 inch

JPY 120,000- (+Tax )

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Waka Yoshida

Encounter

2020

Acrylic on canvas

41.0 x 31.8cm

16.1 x 12.5 inch

JPY 60,000- (+Tax )

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"Chaotic garden"

Among the memos I usually write down, there was one that said "disordered garden". I forgot when I made a note and why I made a note, but when I found the note, I felt something stuck.
"Order" is a word that means "the correct order of things" and "the state in which the elements of society are connected to each other by certain relationships and rules and maintain harmony."
In general, human society will require order.
I may have felt that the painting had to be a "garden" where "disorder" was allowed.

This picture depicts an artificial object floating in outer space.
This work is reminiscent of the space probes Voyager 1 and 2, which were launched in the 1970s and still fly lonely in outer space and continue to send signals toward the distant Earth.

 

Shinnosuke Yoshida

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Shinnosuke Yoshida

The Disorganized Garden

2018

Oil on canvas

39.8 x 39.8 x 4.0cm

15.6 x 15.6 x 1.5 inch

JPY 100,000- (+Tax )

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Shinnosuke Yoshida

Paint

2018

Oil on canvas

24.4 x 24.4 x 5.0cm

9.6 x 9.6 x 1.5 inch

JPY 50,000- (+Tax )

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Yoshiko Fukushima

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Yoshiko Fukushima

Someone's Portrait

2014

Acrylic on cotton cloth and panel

45.5 x 38.0cm

17.9 x 14.9 inch

JPY 105,000- (+Tax )

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Yoshiko Fukushima

Someone's Portrait

2014

Acrylic on cotton cloth and panel

45.5 x 38.0cm

17.9 x 14.9 inch

JPY 105,000- (+Tax )

Jaye Moon

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Jaye Moon

Somewhere Better than This Place

2014

Iridescent Plexiglas and steel

diam. 44.0cm x 4p

diam. 17.3 inch x 4p

JPY 600,000- (+Tax )

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Jaye Moon

Nads

2012

Acrylic on canvas

25.5 x 33.0cm

10.0 x 13.0 inch

JPY 160,000- (+Tax )

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“Fun Sea ♡”

This is the only work I have completed so far since I became pregnant with my first child in 2016.

As of June 2020, I make baby food for 0-year-olds, infant food for 2-year-olds, rice for men in their 20s, and my own sake.

It may sound like a bittersweet, excuse or bragging about happiness.


It's a picture I drew because I wanted to draw something. It is a work I made.
If anything, it's the heart of all my hope that has changed 180 degrees from my life.

 

Masumi Sakamoto

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Masumi Sakamoto

Fun Sea ♡

2018

Pencil and acrylic on canvas and ribbon

30.0 x 30.5cm

11.8 x 12.0 inch

JPY 52,000- (+Tax )

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Masahiro Masuda's work captures a casual landscape of interest and projects the image in the same place with a projector. By repeating the process of shooting from the same point of view multiple times, and then printing it on canvas with silk screen, a large number of images and paints overlap, and an image with a blur is projected.

Based on his experience in science fiction and horror movies that he watched in his childhood, Masuda has created works that visualize time by fixing reality and fiction on the screen. I recall that the time we live is connected and shaped like a movie film in which every moment is continuous. The overlap and misalignment of images using this camera and projector does not exist in one absolute viewpoint, but there are multiple objects, and one image also has various appearances in many eyes. It suggests that there are multiple.

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Masumi Sakamoto

Moment's#23

2019

Silkscreen, Acrylic on Canvas, and Wood Panel

90.0 x 150.0 x 4.5cm

35.4 x 59.0 x 1.7 inch

JPY 432,000- (+Tax )

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Masumi Sakamoto

Moment's#22

2019

Silkscreen, Acrylic on Canvas, and Wood Panel

90.0 x 150.0 x 4.5cm

35.4 x 59.0 x 1.7 inch

JPY 432,000- (+Tax )

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"Kanjujima"

I created it with the image of an aerial city with a unique lifestyle, isolated from the world. At first glance, this artificial island, which seems to be left behind on the sea, seems to coexist in harmony with civilization and nature, but in reality, humans and nature are not involved at all. Each of them was separated from the earth, and they just stood on the sea without any relation to each other, and drew a landscape where they spend their days quietly.

 

Shunsuke Hira

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Shunsuke Taira

The Land of Withered Tree

2019

Acrylic gouache and Gesso on paper and panel

27.3 x 22.0cm

10.7 x 8.6 inch

JPY 35,000- (+Tax )

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Shunsuke Taira

Apartment Storage

2019

Acrylic gouache and Gesso on paper and panel

27.3 x 22.0cm

10.7 x 8.6 inch

JPY 35,000- (+Tax )

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